I was all geared up to watch the film, but read about its sad ending... I'm one of those people. My squishy little heart can't take sad endings. :C Looks beautiful, though.
And CHUH -- ME teaching YOU anything about drawing? :D Ahhh... I can't even tell you how that flatters and delights me, as kind of ridiculous as I think it is. Kitter does teach me about drawing, about telling a story, about using expressions. I guess our art has sort of parallel evolutions, for good reason.
And, again. My God. I'm so... touched, I'm so touched by that drawing, Isa. I feel like there's so much symbolism in it, so much to love. I love that her past boyfriend is unidentifiable, because none of them were as important as Eli. (I dig the chunky brushstrokes of Eli's hair.) I love Klimt and the awkward balance of his couples, of these couples, the sort of desperate intimacy... And those little whirling stars. :)
I'm so proud and honored that you drew Jenny. She's so beautiful. Thank you, a million times.
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And CHUH -- ME teaching YOU anything about drawing? :D Ahhh... I can't even tell you how that flatters and delights me, as kind of ridiculous as I think it is. Kitter does teach me about drawing, about telling a story, about using expressions. I guess our art has sort of parallel evolutions, for good reason.
And, again. My God. I'm so... touched, I'm so touched by that drawing, Isa. I feel like there's so much symbolism in it, so much to love. I love that her past boyfriend is unidentifiable, because none of them were as important as Eli. (I dig the chunky brushstrokes of Eli's hair.) I love Klimt and the awkward balance of his couples, of these couples, the sort of desperate intimacy... And those little whirling stars. :)
I'm so proud and honored that you drew Jenny. She's so beautiful. Thank you, a million times.